Here’s the link for my entry in the Combined Book Exhibit, sent to me by Xlibris, URL.
I should attend the exhibit in Washington DC June 2-3, 2016. Location will be supplied soon.
(Published: Sunday, May 22, 2016 at 8 PM EDT)
Here’s the link for my entry in the Combined Book Exhibit, sent to me by Xlibris, URL.
I should attend the exhibit in Washington DC June 2-3, 2016. Location will be supplied soon.
(Published: Sunday, May 22, 2016 at 8 PM EDT)
I have finally converted and uploaded two big video files that I made in Minneapolis when I was living there.
The first is a lecture (57 minutes) that I gave at Hamline University in St. Paul MN on February 25, 1998, on the Liberty Channel in Minneapolis, while still on crutches from my hip fracture. The lecture outlines the concepts in the “Do Ask, Do Tell: A Gay Conservative Lashes Back: book (1997, 2000).
The URL is here.
I would give a similar lecture at the University of Minnesota on March 31, 1999.
The second film (33 minutes) is a hodgepodge of soliloquies and little walks taken with a Sony camera in 2002, in Minnesota and Wisconsin. I sent it to the late Gode Davis (“American Lynching”) and he was not that impressed, well technically. I will probably do some work on this in Final Cut Pro. The link is here. I do think a lot of ideas here are still pertinent today (even the stuff about maintaining freedoms in the face of terrorism and “asymmetric warfare”.
This is VERY independent film.
See also the earlier post Feb. 16, 2014.
(Published Monday Nov. 30, 2015 at 7 PM EST)
I have started entering a lot more passages from my “Piano Sonata #3” from 1962, and then 1974, in Sibelius 7.5 on a new MacBook in an OS 10.2 Yosemite platform.
The first two movements, and most of the slow movement were composed in the spring of 1962, after I had entered George Washington University and was “living at home” after my William and Mary “expulsion” for admitting “latent homosexuality” the previous November. My father had experienced a mild “heart attack” over the stress and was sometimes unnerved by the volume of classical music coming up from the basement. Some of the music, especially a theme in the slow movement, recalls that period.
I finished the slow movement and sketched out a finale while living in Piscataway, NJ in 1974, and traveling back and forth to St Paul MN while working for Univac.
I’ll give the “names” of the files, really for my own reference (they aren’t online as such), and note how they were entered.
A segment entered manually (“M”) is fitted to the measures exactly. A segment recorded through the Midi from an electric piano is harder to read and doesn’t match the measures yet.
In the first three movements. all files have the form “Sonata3Mov1,,,: (or Mov2 or Mov3)
Ein: Introduction, Molto Moderato, 4/4
E1 Exposition C Major. Allegro Moderato, 2/2 page 2
E2 Exposition, A minor, second theme, Scherzando, page 3
D1 Development Adagio, 4/4 no signature
D2 Moderato, F# Major, based on second theme
D2c twelve tone fugato, Andante, 4/4 tone row based on first theme
About seven pages of development remain to be scored
R1 Recapitulation, 4/4, Eb Minor, based on first theme, Allegro Maestoso, R2-R4 continue the Recapitulation with a “false start trick” to go to Ab Minor before returning to C for the second theme (to introduce more asymmetry — remember how the Recapitulation of Mozart’s famous C Major Sonata 15 first movement is a mirror of the exposition, starting in F, that’s a little boring). The Coda R5 goes suddenly to minor, Mahler-style, and introduces the descending third fragment to come back in the Finale.
7 pages of recapitulation remain. The second theme slows down and reappears in C Major. Then a new descending third “applause” motive appears, and leads to a quiet coda that suddenly turns to minor.
Second movement: Scherzo
E1 and E2: Main theme, A-flat major, 3/4, Vivace, a lot of octave passage work, repeated rhythm cycles almost like Bruckner.
T1: Trio, F Major. This is a comic majestic section with lots of blocked chords in varying rhythms, followed by leggerio passage work, in many cycles. The trio is long and takes 9 pages (just 2 are coded). There is a deliberately pedantic nature to it.
Main theme returns, briefly
A second trio, in C# Minor, 3/4 waltz (“Valse Triste”) rhythm, much shorter than the first
Main theme returns, about 5 pages, ends in a flourish, FF.
Third Movement: Elegy (slow movement)
E1 starts with a stately introduction, a twelve tone theme, but harmonized artificially in E-flat minor.
It then proceeds to a second theme, in F# Minor, Adagio, the “father theme”, although there is a little bit of similarity to the slow movement theme of the Hammerklavier, but this is much more florid. (It’s not quite a “chamber of sorrows”).
E2 is a perfunctory fugato in B-flat minor, followed by a reprise of the “father theme”, expanded into octaves and four voices.
Then R1, “Religiosos”, is a 2-minute hymn, slow tempo, in B Major, very chromatic, rather like a Liszt Consolation. It could be played stand alone (like as a church offertory). It would work on an organ. It is essentially the “middle section” of the slow movement.
D1 and D2 “develop” the “father” theme and as well as the opening tone-row. They build up to a loud climax.
Here, I want to add a “cadenza” with some chordal passages showing how chromaticism and twelve-tone are equivalent, and introduce a fragment of the “Applause” theme for the finale. After great shouts, the movement will play the opening dirge in retrograde, harmonized again in E-flat minor, and close quietly and simply.
The Finale exists in hand sketch, one manually entered opening, then many passages recorded at the Casio.
The opening Allegretto, C Major (nominally) is a fugato (“MSonat3FinaleS1”), 2/4 but with changing tempi (7/8 at one point), seemingly playful.
The Fugato “development) occurs in E2, E2a, E3a, mixing toccata-like fugal writing with dissonant chords.
The fugato generates a couple more playful themes, almost by asexual budding, as if to defend the introverted, solitary personality. The music becomes more chordal and modal, with tempo changes, until the true “second subject” appears, which I call the “Hold Applause” theme, based on a dream, but appropriate when a pianist wants to assemble a single uninterrupted program from contrasting composers. The theme starts in F# Major, migrates though minor thirds to C before coming back to F#. It is hymn-like, and may recall a Chopin military polonaise.
After more perambulations of the scherzo-like theme, the Applause theme occurs again with great majesty as a Rachmaninoff-style big tune, migrating from F# gradually back to C.
Hymn theme files: HoldAppauseHymn1, HoldApplause1
Conclusion: Su701FsApplauseTheme (more melodic variety toward end), Su702Cfrom FS
(Published Tuesday, March 17, 2015, 11:50 PM EDT)
Because I’ve discussed a number of my own proposed film projects on this blog, and mentioned those of others of which I am aware recently in social media, I thought this would be a good time to review a few of the functions.
The main concept to mention is that typically an Executive Producer supervises the actual Producer(s), and director(s) and other screenwriters (producing the shooting script), who may be supervised first by the producer(s). The concepts are explained on the PGA website here. For a film where the content comes from an author who actively promotes the making of a film as he or she imagines it been viewed (without changes), the author may well wind up as an Executive Producer. But the EP also has to be concerned with finding funding or investors and satisfying them. The concept could well apply to completing an unfinished film from another source.
Typically there is some arrangement to compensate the EP in various steps.
While I’m mainly concerned with how to produce one of my own scripts, I am interested in assisting other artists with some specific possible projects of which I am aware. The list is pretty narrow.
(Published: Monday, March 16, 2015, around 11:30 PM EDT)
Another recent film, “The Duke of Burgundy” (directed by Peter Strickland), which I saw at the West End Cinema in Washington DC last week, brings up a “juvenile” writing effort from my own past. The title of the film refers to a butterfly with whom the dominant lesbian in the film works. (Yes, that’s Tiny Tim’s “O Gay Way Butterfly” in my Army days at Fort Eustis.) Some how the title reminds me of David Cronenberg’s “Spider” about a metally ill man living in a halfway house. I saw a special premier in Minneapolis at the Landmark Lagoon in Uptown with the director present for QA.
In ninth grade (spring 1958) “General Education” class in junior high school (these were in the days that formal high school started in tenth grade), we had read some Dumas novels for book reports (I was taking French I, and I think we read some excerpts in that class, too) — particularly “The Three Musketeers”. Then we had some creative writing. I wrote a story called “Who Stole the Mona Lisa?” which, as I recall, got pretty gory (as to what happened to the bad guys when caught), and got pretty graphic as to descriptions of what is manly. Then I wrote (in English) a two-act play “The Duke of Burgundy“, about which I recall relatively little now. I think it was about how Philip the Good (Philip III) contributed to the capture of Joan of Arc. Maybe the handwritten manuscript is lying around in the attic somewhere. I would see the Columbia-Gaumont film “The Messenger: The Story of Joan of Arc“, directed by Luc Beeson, with Milla Jolovich, on a cold night on Thanksgiving weekend of 1999 on a road trip, in Aberdeen, SD.
The BBC film on the life of Joan of Arc appears above.
There was a film in 1977 “The Message“, a biography of Mohammed (as inspired by the Angel Gabriel), directed by Moustapha Akkad, which I remember seeing at the Uptown in Washington. Mohammed was (is) the messenger from the one God, Allah.
I also wrote a short story in Ninth Grade French Class called “La vielle maison“, or “The Old House“. A teenager walks into a house with a false front (like on an “Amos ‘n’ Andy” episode from the 1950s) and finds himself on Mars. When it gets hard to breathe, he has to struggle to get back through the door in a dust storm.
But in Tenth Grade English, in high school, when we had a writing assignment for the short story unit, I wrote a story “The Lifeguard“, where a teen is confronted with whether to save a drowning victim when there is an air raid, for real, warning of impending nuclear attack — that is, “duck and cover”. I got a “B” ion the story, but an A in the course.
I encountered some interesting street presentations on the Lexington Ave Line, the IRT, in New York City on Sunday, Oct. 26, 2014.
In the first two, I did my best to get the audio only and not show people any more than necessary. But notice Easdales’s “The Red Shoes“.
Some woman was preaching Christian fundamentalism (This may be Jehovah’s Witnesses; I couldn’t tell) on the subway car.
Some young men recited poetry. I didn’t see them hand out the hat for donations. They claimed to be poets with street smarts.
And in the Subway station, the “Goldfinger” character from the Bond movies appeared, or is he the gold-painted David Fairie from Oliver Stone’s movie “JFK”?
(Published Monday Oct. 27, 2014 at 10 PM EDT.)
Update: Oct. 28, about 10:45 PM EDT
High Heels Race on 17th St NW, near JR’s Bar, in Washington DC, Finish Line
Many stills taken.
Since I’m accounting for all my past work here in this column, as I prepare to move ahead, I wanted to mention at least two other essays.
One of them was my first theme in English 101 at the College of William and Mary, probably turned in around Sept. 27, 1961. The assignment had been to use the idea of “definition” to build a theme. (My father had always called me a “stickler for definitions”.) I wrote about “What Is Friendship?” My roommate was rather unnerved by the “implications” of what I had said, but I got an “A-” on it. I don’t have the theme, but I’ve tried to reconstruct it here.
In 1983, with the help of my own personal physician in Dallas, I wrote one of the first AIDS information pamphlets to be published, through the Oak Lawn Counseling Center.
I also wrote a number of letters to politicians and health officials during the AIDS crisis, some of which are in my first DADT book appendix (link).
In 1986, having lived in Dallas for seven years and having attended and been a member of the Metropolitan Community Church of Dallas on Reagan St. in Oak Lawn, with Rev. Don Eastman — in the days before the Cathedral of Hope and during the heart of the AIDS explosion — I wrote an essay called “What It Means to Believe in Christ“. I wrote it on an AT&T 6300 with an old MS-DOS operating system and a word process called Q&A, which resembled Word Perfect more than Word today. I went to a print-shop to have it typeset, because this all was done in the days long before personal publishing software. That cost $18.
I don’t have the piece, but I’ll reconstruct what I think I said. That is not to proselytize or to “save souls”, but to outline a point that has become very critical in my own thinking. I believe that ultimately everyone has to come to terms with his own faith on his or her own terms, regardless of what any priest, pastor, rabbi or imam says.
I remember that I did talk about the logical equivalence of “faith” and “works”. If you have the faith, you will do the work.
But faith is somewhat a matter deep in the heart, and organic and earthy experience, beyond intellect and the literally following of laws. This aspect seems rather unique to most forms of Christianity, as opposed to both Judaism and Islam. Closely tied to faith is the idea that every human life is to be regarded as precious. If so, however, that demands more than just “avoiding sin” (like not doing abortion). Valuing of life means a real effort (including a lot of emotion) to support parents and others at the end of life, a need which is increasing as people live longer (and that is more obvious now than it could have been in 1986, when my own father had just passed away rather suddenly). It also means that social structures need to offer everyone some kind of “meaning” even though a lot of people are more gifted in ability as well as circumstance than others. Coupled with the inequality of gifts (which is inevitable) is the unpredictability of circumstance. Any of us can be unlucky, or be harmed or stiffed by others, and be made to look “brought low”. External threats and hardships, whether from enemies or from nature (and whether or not nature is aggravated by man’s activities) can cause any of us to “need God”, and can cause any of us to be faced with the need of “change”. And “change” or being “reborn” is something more than just a ritualistic or rules-based practice of a different faith, such as when demanded by an invader.
A similar need to accept change can occur in a secular implementation of psychological growth, as Paul Rosenfels had explained in his writings. One gives up the psychological defenses, which often involve public accolades for accomplishments in a more usual sense of “works”, in order to have a more earthy and natural relationship with others, sometimes in a more closed (even “intentional”) community. This sounds relatively close to the Christian concept of “born again”. The old sense of self falls away, and even though a track of free will is continuous, a new person is born, much as what New Age philosophy says will happen with reincarnation.
The need to accept “change” is especially difficult for someone who lives “on the wall” like me (sitting on top Boston’s Green Monster, if you like). It is offensive to be expected to prove I can “protect” others when I was not competitive in a conventional sense, or to ratify “family” when I did not form a family myself, and can instead go off on my own way, and live a productive, often effective even if solitary life as an observer and journalist, often, as relativity predicts, changing the people I observe merely by tracking of “following” them. Being expected to “change” is especially daunting, to say the least. Yet, it seems uniquely demanded by Christianity as part of eternal life, at least in Paradise.
I can remember in the show Everwood, that Ephram’s fatal flaw was “My inability to change.”
There are elements of all major faiths that make some sense. (All have some sort of judgment before the afterlife, although the Islamic idea of afterlife only after the end of time does not make sense to me in terms of the physics of it.) Both Islam and Judaism seem more focused on justice secured by following the law. (To some extent, so is Mormonism; LDS seems like a religion of “works”.) I remember an orthodox Jewish boss in New York in the 1970s who said that obeying religious law was the only reason he couldn’t come in on Saturday (and I had no such comparable restriction). I think it is emotionally easier (and perhaps lazier) to follow a system based just on “law” and “justice” and not have to show forgiveness and feeling for people when they are far less than perfect, possibly because of matters they could not control. Sometimes living in a community is more important than “justice”.
So “eternal life” (as a kind of final state) seems to be available to those who will “change” because people who “change” can accept the gift of Christ atoning for their sins; they don’t have to prove anything more, even if life cheated them. “Heaven” would seem to work only for people who are well socialized into a community, to the point that a “forever marriage” (with passion, come what may — a promise I can’t imagine making) makes sense and is integrated into the socialization. (I don’t see how Heaven can work for kids without another shot with reincarnation.) Although Christian faith is experienced individually, it does not exalt individualistic values, because it has to deal with hardship and inequality as inevitable. But all religions have to deal with this, and many stricter religions react with lots of rules, so people can shield themselves from the emotional challenges of dealing with others on terms other than their own. Christianity, opposed to other religions, doesn’t base salvation on the basis of rules that can protect one from deeper emotions shared with others who may seem unworthy.
I can imagine being presented with Christ’s forgiveness, but not wanting to accept it because in some sense, given the goals I developed for my own “different” life, I would feel dishonored by accepting it — in certain situations where coercion or force had been used to try to force me to accept some other party’s purposes rather than my own. I might feel that the community which I would normally join had dishonored itself, whatever forgiveness were offered. There would be no way it could then offer a reward. (There are other ways, too, but they are self-created.) In such a case, reincarnation– starting over, maybe in abject poverty — is all that could make sense. Already, by my inflexibility and static nature, I am taking on the karma for the sins of others. I can imagine a film plot based on this idea. In fact, if I “came back” on the same planet (Earth) would I be allowed to find the evidence of my past life? That’s still another movie (a kind of “Cloud Atlas“). It would seem I would have to find it to remain the same soul. But this kind of idea was not apparent to me in 1986.
Visitors may want to look at my table for “Items published by others” here, particularly the Ground Zero News (Colorado Springs, CO) in the 1990s, the Minnesota Libertarian, the Quill (Gays and Lesbians for Individual Liberty) and Forward Observer. Many of these pieces and letters reflect the status of “gay rights” in the mid 1990s.
I did write a few private pieces in the early days, like “The Meaning of Gay Community” while on a plane to Minneapolis for a benchmark for Univac in early 1974, and in fact “The Way I Love” while in a hotel room in Glenwood Springs, CO in August 1973 while on vacation.
(Published: Tuesday, October 21, 2014, at 10:45 PM EDT)
Since I’m accounting for my work to date, this is a good place to mention my Master’s Thesis in Mathematics, published at the University of Kansas in Lawrence, Kansas in January 1968, a few weeks before I went into the Army.
The thesis is titled “Minimax Rational Function Approximation“.
The link with abstract and PDF is here. The abstract explains what the subject matter is. I seem to have misplaced the black-covered bound copy, but’s around somewhere. But I can always reprint it from the PDF.
When I was in Army Basic, toward the end, I actually had an unsuccessful interview for a direct commission. I had arranged for my parents to mail a copy of the thesis, which actually lived (quite legally, as far as inspections were concerned) in my foot locker the last couple of weeks.
(Published Monday, Oct. 20, 2014 at 11:45 PM.)
My most recent novel manuscript, and I think the most promising, is “Angel’s Brother“, a science fiction story that brings “us” into hands-on contact with angels and aliens, who turn out to be the same, more or less. Sometimes, you have to be your brother’s keeper!
The action is all on Earth, except for a space ship and space station on Titan, at the very end. There is no attempt to present an extra-solar planet civilization, although that could be a sequel (maybe along the lines of “Prescience”).
Most of the action is told through the eyes of two major characters: Sal Garcia, 20, a junior ROTC college student in Dallas, and Randy Ephraim, about 40, a high school history teacher with a wife and three kids, one of them “adopted”. Sal will gradually discover that he is to become an “angel”, and, so to speak, Randy is the big brother (though still just a mortal). Then there is “Bill”, (me), who first is known through his writings on the Internet, and whose deeper writings that, along with “remote viewing”, point Randy toward the “point of contact”. And there are some characters from other manuscripts, like falling (or fallen) angels Frankie and his predecessor Femeri, and Ali Mogul, the retired FBI agent married to a surgeon who discovers the “new disease”, which propagates a virus that transmits the ability to become an “angel”.
Randy’s job as a teacher is a cover, as he also “stomps” as a liaison for the CIA, as a followup to an earlier career in military intelligence himself. Randy goes on trips to pick up and send back “evidence” from tipsters, while as Sal hacks his work, and then tracks it back to other characters, whose past activities track amazingly to manuscripts developed by “Bill”.
I thought that the idea of telling a story like this through the eyes of someone “you look up to” (upward affiliation, again) was interesting. I began to see this around 2002 or so watching WB’s “Smallville”, where we do learn the story through Clark Kent’s eyes, and he isn’t completely sure who he is during the earlier years (where the episodes and basic story line were more compelling and mysterious).
I started the original manuscript in 2007, and it had 42 chapters, with Randy running around the world several times. The second half of the book somewhat paralleled the latter part of “Tribunal and Rapture II”. I later decided to simplify the book to make it more manageable, to 27 chapters.
Synopsis by Chapter:
Part 1: First Movement:: “Friends” (starts in May)
Chapter 1: “Polish Epiphany” (2 sections)
Randy has been called away from his AP History teaching job in Dallas for a trip to Germany and then Auschwitz in Poland. As the book opens, he is touring the outdoor site of the infamous concentration camp when Sal approaches him. They share a cab ride back. Sal describes what he knows about Bill
Chapter 2: “History Teacher:
Randy reads his own history on his tablet, after learning that “Bill”, who had generated a tip, was a memoirist. He looks at his own history in the Army, his heterosexual initiation in Basic, intelligence school, his own skipping out on a second male initiation which he misses, his marrying Erin, adopting Dick, then having his own kids. He hasn’t been interrupted much in the past few years to play G-man. He looks at himself in the mirror. He still thinks he is kind-of-perfect. He measures himself mentally against what he remembers from Sal. He became a history teacher (after a year as a sub for “show”) while still working for the agency on special projects.
(Hooks): Randy also recalls how he learned that a mystery real estate agent had introduced him to his current wife; his boss at the CIA has learned that she is the same agent who had worked with Bill decades before when he got into trouble with his condo. Randy wonders why this matters and if it connects to Sal, who had been in his class once a couple years back (before his adoptive family took him to Wisconsin).
Randy adopts a boy from a “green boss’s” family when he marries almost on day 1, and that makes him more interested in women, as it costs him less.
Also, explain how Erin (Randy’s wife) as a nurse moved into contact tracing, setting her up to anticipate the coming epidemic. (2014/11/16).
Randy, though knowing less about Bill than Sal, is puzzled about what happened when Bill was subbing, since Randy had subbed himself before becoming a “real teacher”.
Chapter 3: “History Student”
Sal goes to a gay bar in Amsterdam, and while playing with a cat, an eskimo-looking man named Irku contacts him, not wanting to dance. Irku is accompanies by Tovina. He shows Sal an unusual tablet computer.
Sal recalls his own history. He was born in South Texas, became multilingual very early, and is thankful that he looks white while identified as Hispanic. He is adopted by a family in Wisconsin but the father’s business often has Sal in Texas. At 14, he visited a church near the Gulf where the Virgin Mary appeared, and then very quickly went into puberty with his teen growth spurt. He took a pal Rusty on a hike in the Gaudalupe Mountains in Big Bend. They both got sick, mysteriously. Sal recovered quickly during the trip, but the friend was left a diabetic.
Sal would have a photographic memory and learn about 8 difficult languages.
Sal also meets with Lurku in a bar in Amsterdam, but doesn’t see Randy. Sal explains how his hacking escalated. Then Sal recalls how he met Matt on Popo in Mexico, and got that idea from Bill
Sal also reviews one big legal hack, of one of Bill’s early real estate closings. The closers works for the CIA.
Chapter 4: “The Lapp” (2 sections)
Randy gets instructions to go to St. Petersburg. Despite the anti-gay environment, he enterains himself in a porn shop, and then goes to the Hermitage to get contact intructions. He then rents a car and drives north, into the lake country near the Finnish border. Intelligence had been passed years ago through a steganographic hack on one of Bill’s websites.
He meets Lurku in a shed, and sees an odd assortment of hardware, including very old computers without graphics. He’s also given an sample to carry back, of a rare element, astatine, which is in an unusual stable form.
(Hook): Lurku mentions the hack of a website (Bill’s) that predicts re-emergence of Russian aggression near Finland, and again this seems related to Sal. Will Russia become a bigger enemy again than radical Islam, and if so, why? Or do the Russians know some game-changing technological secret?
Randy is chased as he leaves Russia and gets into Finland. His bosses back at the CIA think that Finland will be Russia’s next victim after the Ukraine, but even that is a diversion.
Chapter 5: “Family Background”
Sal is spending a weekend at home (from his sudden field trip and school in Texas) in Wisconsin. His younger sister was said to be slain in the spirit but is still sick, and Sal finds out she got altitude sickness on a church retreat in Colorado.
Sal also contemplates his attitude toward his Hispanic ancestry but white appearance, and wonders why ROTC sent him on “vacation”. He still doubts “they” know the angel “Matt” (new).
Chapter 6 : “The Lake”
Listening to the insistence of his wife Erin and Dick, Randy takes his family on a vacation from Dallas to the northern woods in Minnesota as school ends. He’s glad to have his family unplugged. A vicious computer virus that frames users for child porn has been running loose in the country.
Randy wonders if a computer hack reported in the media has any connection to the “dud” he picked up in Finland. Randy makes the connection because of Bill’s paranoia about being framed, as indicated on Bill’s own published writings.
In the meantime, Sal has called Randy (perplexing Erin) and told him he will attend the Army language school in San Francisco, not to study but to teach a class. Sal will look further into Bill’s background to clues to his own experience in the SW mountains.
Chapter 7 : “Looks like a Scottish Castle”
Randy, through snooping, learns that Bill was given his own mystery load (the astatine) when visiting the Yucca Mountain area. Bill gets a traffic ticket from an OK cop that seems bogus. Bill seems to be on the way to a place called “The Academy”, actually predicted in his own secret writings.
Chapter 8: “Academy”
Randy arrives at the Academy, near Abilene TX and debriefs Frankie before finding Bill. Frankie will explain why Bill was on a “vacation” picking up “goodies” (for “Special Troops”), and that Bill can “get what he wants” here.
Chapter 9: “Visiting prof”
Sal also visits the Academy. He teaches a two-day language course (interpreting Chinese from intonation). He visits one student, Amos (son of Ali) who had been caught in a bizarre computer “thoughtcrime”, and that provides an entry into discussing Bill’s life and writings. He’s told that the staff wants Bill to learn to swim again.
Sal learns about how Bill wound up at the Academy after being chased out of his home with “mom” s she recovered, partly because of his web activity. He had been “homeless” so the Academy seemed like the best possible new life.
Chapter 10: “More Family Trips” (2 sections)
Having turned in final grades, Randy makes a quick overrnighter to Washington to meet with Qulller, his interim boss at the CIA. Quiller wonders about his marriage, which might ordinarily be none of his boss’s business. Randy mentions the trip to Minnesota and they talk about the computer viruses, then real viruses. Quiller encourages Randy to make a trip to the high country.
Quiller doesn’t explain the intelligence that has come from other agencies, who share more data now in this NSA-driven, post 9/11 world, but they do talk about the CDC. After all, Randy had become an academic himself, post military. This is not like other bioweapons. They needed stompers to get this one out, someone to talk to real people and bring them in.
Randy takes his family to Leadville, CO, goes to the opera, and sees some of the people who have been getting sick. Many, especially the men, develop curious gray lesions on their lower legs, which go bald.
CDC has said that their prognosis isn’t good. Most of them get hallunciations that they are someone else, but die of cardiac arrest in a week or so, So far, there are clusters, mainly in higher altitude areas, but a few even in mountainous areas in Appalachia.
When Randy talks to the people, he finds a curious speculation that mountaintop removal could be a good thing.
He wonders what Sal must have found out about Bill’s writings, and begins to sense a point to it.
Chapter 11: Song of Solomon (Following Sept, 2 sect)
As his senior year starts, Sal and Rusty arrange a little hazing session for the plebes. It’s still illegal. but fun and often done.
Sal notes that even with the repeal of DADT he doesn’t have the right to talk about what he likes on the Internet. He’s pretty well figured out Bill’s story on the web. He also found out about the ingot of astatine that Randy had transported while at Academy. So he calls Randy and offers to help, but wants Randy to be more “honest”.
Randy is still trying to solve his slowly lessening passion for his wife.
Chapter 12 : Erotica I;
Randy spots Sal playing chess with Wilson, “the greatest of all time”, outdoors in the Cedar Springs area of Dallas.
Randy meets Sal in a gay bar in Dallas. They dance. The next day, they drive out to Abilene and the Academy, as if Randy could “go home” with him at the Academy.
Sal shares his hacking. He has gotten a hold of one of Lurku’s old computers with special links. Randy sees how much Sal has found out about his work by hacking. Randy becomes intimate, initiating a back rub through the shirt at first. Eventually, they wind up in bed.
Chapter 13: Dead Reckoning
Quiller calls Randy by Skype in Dallas, and quizzes him more on how much he’s picked up from Sal’s hack of Bill.
Randy is having to approach his family problems and is noticing the barest traces of lesions on his lower legs. Maybe. He thinks “I’m still good.”
Chapter 14: Bilbao and homage to Guggenheim, 3 sections (2 somewhat separate)
After seeing his own son off to a science fair and pep-talking is history students (and parents at PTA), Randy flies to Bilbao. On the streets, after visiting a drop in a bar (one of Lurku’s associates, maybe) with the remaining codes of Sal’s hack, he mugged, left with a harmonica, containing yellow and black powder, and two small ingots that had held the material, stuffed into his socks around his ankles.
He then meets Sal for a bike ride in the Netherlands, and they spend a night together. Sal, who notices everything, notices changes in his legs.
Chapter 15: Lionsgate
Sal visits Toby, Shelia, and Matt (other characters in Bill’s stuff) at the Lions Gate in Greece, and then goes up (after a chess game). He winds up at Big Bend.
Chapter 16: Archangelsk Variation
Randy meets Lurku in Finland, follows a treasure hunt, and in October snow, goes up. He has intense dreams about his activity with Sal, but of mainly being held. He wakes up in Russia, Archangelsk, with a chess board in front of him, and notes his own deterioration.
Chapter 17: Shavedown (2 separate parts)
Back in Dallas, for classes, Sal gets debriefed by his ROTC commander Mertz, who is concerned about his visibility.
Sal goes to a “health fair” and sees Matt, super-tall, and already a “new angel” (June 9). Matt tells Sal that he (Matt) is the character in Bill’s “Ran on the Snow” document who gets “murdered” by an encounter with Bill in the desert. To prevent more stuff in Bill’s writings from coming true, Matt wants Sal to intervene, and give Bill “what he wants” (so that he will “go away”).
Sal drives out to Academy quickly, and tracks down Bill, in his room, but only after reserving a motel. Sal stops at a convenience store and asks Bill to pick up an odd oil product, which might normally not be carried. Bill somehow thinks it is like a prescription and he doesn’t pay for the item. They go to the motel, and gradually become intimate. After some time, Sal undresses Bill, gives him a full body rub, and then shaves Bill’s chest. Bill climaxes. Sall suggests Bill go back to the room. Bill then goes out to the convenience store to find more items and notices (as in the rear view mirror) his appearance has changed. He is “younger” in several aspects. He goes back to the store and buys some rolaids (contraband at the Academy, which is a bit like the military). After he leaves, police cars chase him. He is arrested. He checks himself in a mirror and thinks he looks young, but he cannot see himself in jail (a first time ever).
Chapter 18: “Family Bed” (3 sections)
Randy makes one last attempt to have a real experience with Erin, Next day, she confronts him, and Randy admits he is distracted by younger men. He admits to being intimate with Sal, Erin wants the marriage to end.
Randy meets with Bill, finally, after Frankie has bailed Bill out of jail. They talk about “erotic royalty”, and what that would mean for “society”. Randy has only glimpsed Bull as an old man in previous visits and notes that he looks “younger” to him, but maybe not in desirable ways.
Randy reports to DC and has various medical tests. His own legs are “attenuating”.
Part II: Second Movement: Interlude
Chapter 19: “Westover”
Randy and Sal, reasonably dressed, meet at the outdoor Westover Market in Arlington VA to trade notes. Sal gives Randy hacked copies of the most critical parts of Bill’s manuscripts, for Randy to check out.
Randy checks his son Dick into a private school., and they meet Erik.
The Interlude 1 would present Bill’s writings of Ali Mogul, and how his surgeon wife discovered the virus. But Sal can’t view Bill’s potential for the illegal relationship. Sal did find writings about the birth of Matt.
Chapter 20: “Intentional Community:
Randy goes to Faber, VA, near Charlottesville, to recreate Ali’s remote viewing experience of the “angels”. He realizes he can do so now because he has found a real life person likely to become an angel (Sal). He also undergoes “baptism”, along with a view of a moneyless society.
Particularly, he also sees the details of Ali Mogul’s heart attack, that led to his wife’s exposing the intelligence about the new “virus” that can transmit identities (June 9).
Then he views the story of Matt, back to his birth, and then the gentle encounters, progressive. Bill had already started to look “younger” in the rv’s. The music for the viewing has to actually incite emotion the way Bill experienced it with classical music.
Chapter 21: “Night Initiation and Immolation Scene” (many sections)
Upon instruction (from Faber), Randy travels to a hilly area in Wisconsin with multiple bike trails and tunnels, for an “initiation”
Just before he “dives in”, Randy reviews more material from Sal, giving the history of Matt (Prologues in Bill’s novel) who may be an “original” angel after all.
Matt and Femeri appears, and then so does Frankie, who turns “old”. Bill appears to be “young” again. Sal starts to “do” Randy but “spares” him and turns attention to “Wilson”. Randy then “satisfies” Bill. Bill and Femeri float thorugh the air as “roving eyes” but then Bill falls to the ground,. to be rescued by Tovina, while Femeri goes up and exploded (which did not happen to Sal and Randy).
As Bill and Tovina return to civilization, they go to a fast food restaurant, where they hear the first media reports of evacuation of high altitude areas because of the “new disease”. Sal comes in to greet them.
There is an interlude 3 where Bill’s imagined encounter with Matt is shown, in rv, but at the immolation Matt appears and resists letting Randy (even him) view it. He also views Matt’s and then Bill’s past lives here (the original prelude).
Part 3: Finale: Brothers:
Chapter 22: Divorce Chapter
Erin confronts Randy again, demands alimony, but then notices the changes in bis body,
Chapter 23: Mountaintop removed
Randy has noticed a slight lesion even on Dick, and tries and experiment, motivated by Sal’s earlier life. He takes Dick to moderate elevation, to a strip mine. Dick improved.
One night, Randy goes to the bars in DC. He comes back and finds Dick has been kidnapped. Maybe that was to protect him, even though he already got over the “virus”.
Chapter 24: Stay out of Jail (4 sections)
Cpt. Mears questions Sal about his conduct — hacking and hazing, now that DADT is gone. There’s a discussion of whether this is really about DADT.
Sal visits Bill, who is held without bail on what seems like a trivial charge. He’s no “Charles Severance”. Sal wonders if Randy could help with bail. Sal confirms that Bill still “looks young”.
Randy has taken leave from his teaching job with move to DC, although a “long term sub” (Wilson) was put in his place. A principal notices what happened to Wilson in the immolation and decides to be helpful. They find a clue to help Randy find Dick.
But Randy was briefly in Wisconsin, looking for clues near the immolation scene. Sal joins hin there.
Myers calls in Sal again. Sal has taken “the test” by poking his ankle. Myers tellls Sal he won’t get a commission but can do the same work as a civilian. It’s like DADT, Is this because Sal is no longer completely “human”?
Chapter 25: Fair trial (and maybe Fair Use)
Sal, by agreement with Myers, testifies against Bill in the shoplifting case. But Bill does a shape-shifter duirng the trial and “goes up” in front of everyone.
Chapter 26: Rescue
They go to Big Bend and find Dick unharmed and well. Dick says “he went up” for about a day. Dick looks a little “younger”:
News reports of evacuations increase.
The sub who provided the clue to find Dick gets in legal trouble himself, but provides another clue as to where “it” will happen.
Randy goes on one more road trip: to Wisconsin to get all the remaining secrets of “Bill’s novel”, and then to a mountaintop-removed mine in W Va, where they all assemble to go to Titan. Frankie (once a partner of Bill) has to wonder if he will get arrested first, just as in Bill’s book. He’s no longer “desirable” as an angel.
Bill remains an “old soul”, and then so does Randy, but Sal is an angel. Ther’es a question as to who got to go up as an “angel” besides Sal But both Bill and Randy are saved in some sense by being an angel’s “brother”.
Note: Some chapters could well be broken into smaller chapters, to make each chapter center around one scene or at least one concept. These would include Chapters 10, 17, 21, and especially 24 .
The novel describes two characters who are employed in some way in clandestine service, including the CIA. Yet, here, there is non of the stuff you usually see in the movies, with station chiefs recruiting nationals, no drones, no assassinations, relatively little violence. It’s mostly about solving a mystery — which in this case affect the whole future of mankind. Maybe someone working there will chuckle if he or she finds it, or maybe he or she will think it’s closer to the real CIA than how Hollywood usually presents it.
Just remember, the CIA building at Langley was built the same year I graduated from high school, 1961.
(First posted: Wednesday, July 9, 2014, 11:45 PM )
In July 2003, shortly before moving back to northern Virginia, I vetted a treatment for a proposed screenplay to be called “Prescience” to the Minneapolis Screenwriting Group.
The idea had come to me in a dream, where a boulder lands to Earth near Fort Worth, TX; it turns out to be a spaceship, and there are gradual and then rapid consequences that the media (and only then the government) have to face. But it’s a lot more subtle than the 1996 film “Independence Day”, Maybe your most recent look at Earth won’t be your last.
After I wrote the screenplay “Titanium” (June 12), I decided that “Prescience” could be construed as a sequel to Titanium, as part of a film franchise. I wrote about 60 pages of script, which does not quite match the original treatment, below.
In the screnplay, Eric accompanies Bill on the spaceship, and seems to have the telepathic ability to connect to the inhabitants of Earth, instantly, faster than speed of light, because consciousness can pervade space-time. And most of Earth has been zapped by EMP attacks, and people are trying to migrate to the few areas where the standard of living is still reasonable (like Singapore). That would make a third movie.
Bill has a two-room apartment inside a “synecdoche” on the outskirts of the central city in the new planet, Arinelle, which is tidally locked around its parent star. That means that all civilization is in a strip through the twilight zone, and a train (not exactly a “snowpiercer”) runs around it, among several different kingdoms that represent the same general geography with different stages of time. “Cleveland” has 50s-era technology, “Clyde” is like 1900, and “Williams” is earlier than 1800. Bill is forced to travel through these places and prove that he can function in these societies, that have karma-systems (kike intentional communities) and don’t have money.
There are other hidden transits among the kingdoms, such as through the cold night zone, and another through the steamy ocean on the hot side. Bill wants to get his music back. It has been brought on the spacehsip, and is brought to him through the transit passages. But the romanticism of the music provides an emotional shock to the residents of the pre-1800 world. it also turns out to be a “crime” when a more modern piano is brought to that world.
Various other people Bill befriends are tested.
In Bill’s apartment (which he uses only when he arrives and again toward the end), there are two computers, one which can view Earth with a telepathic connection (set up by Eric) digitized; it even has the remnants of Facebook and of Bill’s old blogs; the other computer is tied to Arinelle’s networks and only a few privileged communities have access to social media. Bill has that access only temporarily.
At the end of the movie, Arinelle will be threatened by an approaching brown dwarf, and the inhabitants will all move to Earth, for good.
2003 Treatment for “Prescience”:
A teenage computer hacker learns of an upcoming alien attack and prepares himself and his friends only to survive it. The aliens save them for a final, utopian experiment.
ERIC STONE, a precious high school senior who impresses adults whom he meets at a local Unitarian church, is playing with his web server at home when he deciphers messages that predict an incoming alien attack.
In the mean time, there is a media report that all of the electronics in a particular well-to-do neighborhood is out, as if by an e-bomb.
He has a part-time job fixing computers at homes and visits BILL LDZETT, an elderly gay man, at his high rise apartment building. He has met Bill at the Unitarian church and whimsically promised Bill a swimming lesson.
At Bill’s place, they calculate the arrival of the first spaceship and then go to the apartment solarium (and natatorium) and spot a shooting star in the evening sky that may be the craft.
(Note: to fit TR, he might have made a visit to Bill a few years ago and be older now at the time of the attack. He might have heard about Bill’s jailing for involvement with a minor.)
Next day, right after the stock market closes, the craft lands in a major suburb, slowly, looking first like an asteroid with the fiery tale on the wrong side.
Within a few hours people who watched the event are streaming into hospital emergency rooms blind. Authorities go into the nearby neighborhoods and find many of the residents dead, many of them already transforming into “grays.” Some of them had started transforming a few days before with massive hair loss.
CNN covers this for a while, and then in many sections of the country there are complete power blackouts.
Eric deciphers a message on his computer warning him that he will go blind soon unless he meets one of the aliens at a bar. He is to bring along a friends whom he has told about the message. He is surprised that bars will even be open after this catastrophe and uses a fake id to get in.
He meets the alien, KAL, who is a super tall but good looking man (according to Bill’s ideas), who takes him and Bill into the space ship in a special private chopper. KAL also has the fake id.
Inside they are met by rather human looking people, who tell him that they can keep their sight if they move to another planet. They will go on a reconnaissance and Bill and Eric will get to pick whom they bring. Eric will not be able to bring his younger sister, who also went blind. But on the new planet they will have to fit in to the social order there.
They go clubbing and shopping—the stores are open again but the markets aren’t nobody knows when there will be another attack. Then there is a second attack in another city, so many people, going blind, line up to be on the ship.
Once on board, they are given medical examinations and put to sleep for the journey.
Once they reach the new planet about 80 LY away, they are put on a streetcar train. Though they were sleeping, they seem to have aged about 8 years. They view scenery that rather resembles a mix of AmErica in the 50s with Soviet-Style housing complexes very much crowded into the cities. They have a decent reception with rather simple Asian-like food (though some rather bizarre creatures) and Eric gives the swimming lesson. He is already “maturing.”
They are told they are going to a place called “Baltimore” but when they arrive they find no city, just a run-down factory place. The people are segregated into groups. Kal takes Eric to go with him but sends Bill and a young woman together on an older train to a rickety farm, with a girl friend MALI. Bill is told he will have to earn his place and “pay his dues” first.
There is a political system based on meritocracy, but no fiat money (at least on top). The most talented young adults live in the cities, in segregated housing. Gays are accepted and somewhat treasured. They go to the areas around Baltimore to do their menial work (“pay your dues”), but otherwise work on technology. Only the people who live in “Urbana” and visit either “Baltimore” or “Grand Rapids” get to use technology (and “Grand Rapids” is a kind of military “special training company”). Baltimore is on a seacoast, inundated with canals, and said to be susceptible of once in an epoch storms; Urbana is a more high-rise city on safer and higher if unspectacular ground. Once a year members vote on 80% who stay. (You can’t vote for yourself.) The others must go to the countryside (next paragraph) and must be married and be ready to have kids, lest they become “grays.” The music at “Metropolis” (Urbana) follows that of pop stars and lacks the recesses of western classical music. The “best” people come in once a month and take away the “losers” to the camps.
The society has experimented with family values. It used to be that only residents of Urbana had children, and they still do, hoping for the “best children.” But the birth rate was too low, so the second line class at Baltimore is encouraged now to be fecund. Since a lot of the residents are rather unattractive and viewed as rejects, they still have a hard time maintaining a population. There are rumors that family life is better, after all, on the
frontier, “on the outside,” where people live in small, primitive communities (and must function in families or else become grays.)
The train takes them to a quaint residential community where there are no modern conveniences, no electricity, except at one community center, where they can communicate with the central “Urbana” (Baltimore is just a shell) and the galactic community. Residents are assigned tasks. Bill develops a good social reputation with his piano playing and starts composing a legacy of western-style classical music. Gradually they turn into people who look like Grays unless they succeed in familial relationships, and Bill and Mali become intimate enough for her to get pregnant. Not only does Bill keep his sight but he starts looking younger and becoming more competent at manly things. Eric gets to go back to Urbana to be part of the ruling class (though he will live in or commute from the housing complexes in “Grand Rapids” as a kind of Apprentice). The best parties, though, and break dances are in Urbana (the 50s complex) and people seem to be graded on how they come off in the break dances, that are a bit like the Mayan ball games. So Eric will be part of the middle class.
Bill finds Tobey and finds out he is an angel. Non-angels have to have training to qualify.
Bill finds out that some of the “heterosexuals with families” live around vacant Baltimore, in suburbs, without too much technology while they raise kids. If they had the kids young enough, they can go back to Urbana as desirable adults. Bill finds he will get a chance to make it as a family man in Baltimore burbs.
Bill gets to make trips to Baltimore Center to visit Eric with “glances”, kind of like visiting a friend who got to go to a better school. Eric attracted to Bill’s love of music, which he misses at Urbana. But he also learns of the Dark Side, a wasteland outside of the farm communities where the truly incompetent are discarded like Spartan rejects.
Eric is prospering, and finds out more about what happens to the “losers” – they are turned out to keep to their own kind so they do not burden the “freedom” of the “angels.” But angelic status is hard to keep, and the people in the countryside outside Baltimore have recently been allowed to change fiat money. When people get kicked out they sometimes are treated to a “break dance” ritual for ultimate pleasure, but Bill watches this rather than experiences, and finds it unsatisfactory to watch fallen men get defrocked.
There are communities set in different times – Truman, Clyde and Williams. People get sent back to earlier times to avoid being made into grays; but Bill decides he can bring some of his music into earlier times. There are also sports rivalries among the time-provinces.
Bill eventually gets sent to Grand Rapids anyway, for some special training, where he sees failures being turned out to survive alone in the neo-mountains until they die. There is a bit of a real city here, with some technology. Here Bill learns how it works in Urbana, and is worried about what is happening to Eric. For example, residents rate each other once a month, and the “best” men do the raids to ship the losers to Baltimore or sometimes Grand Rapids. Eric got to be on the aggressive side of one of the raids. But Bill wonders what will happen to Eric at tribulations. Kal, it seems, has failed his own tribulation and been sent to Grand Rapids to live (he doesn’t get pass privileges to Urbana like Eric).. Bill sees him, as rather barren now.
Bill helps Kal escape back to his own “Baltimore” suburban commune, where Kal takes a liking to Mali before disintegrating and dying. Also, Bill now learns how the colonies around “Balimore” turn the “failures” into grays rather than letting them perish in the wildnerness, because the nearby climate is milder. But before becoming grays, some of the “failures,” after finding out about the rural civilization outside the cities, decide they want to secede and build another city without technology but completely based on money. This has been going on for some time, and Bill finds out that the civilization “on the outside” is a bit more advanced than he had heard. (There is a parallel to being inside an asylum!) This is kind of the exurban culture that is willing to go back to a “natural” way of living that doesn’t depend on cities. There are questions about why money isn’t extended to the cities, and the argument is that money alone would corrupt the deeper meaning of merit. But the immediate suburbs around Baltimore are for successful or “functionable” “families” who can return to Urbana. The colonies extend quite far into the countryside in a grid with a number of other towns, like on a board game.
(dream add-on): Bill learns that he can get back to Urbana by passing trials. Eric is being expected to pass them. It is a circular Fermi-like track, some of it underground and underwater, with various physical tests like swimming and getting out of a kayak. Bill has trouble, stops at a writing camp, then opts out (“quits”) and views his performance on a theater screen, and then prepares to see what has happened back home (limited perhaps by General relativity).
Bill shows that the social order on this Mini-Earth are a projection of his own thoughts from back home. So in a way, even his intentions, without direct aggression, became “harmful” just as a thought experiment.
He also learns now, from Kal, that the new earth is going to be approached by a brown dwarf, that gets more visible every night.
A year later they (he and Mali) have a child, PAUL, thoroughly normal and human, and Bill wants to him back to earth. This is so even after the view earth and see if it set back 200 years by e-bombs set off by the grays. (They have a faster-than-light i.t.) Eric has now grown into manhood himself, when he visits, reigniting old gay feelings. Eric shows him what has happened to many of the immigrants. They have become grays. Finally, he is shown how to dial in to find out what has happened on earth. What he sees does not make him want to return. The good people escaped, and what is left are grays. They seemed to have gotten that way by a virus that dulled them. Then it is apparent that this “Earth 2” is a cut-down replica society where only the “best” can lead a creative life.
The brown dwarf passes, Baltimore is flooded, but the Atlantis-like Urbana is destroyed.
Bill will move back to “Baltimore” and help “rebuild” it and fit into a Utopian society, but with one catch. His taste for music is left behind, to entertain the grays. He no longer has his musical gifts. The society of perfect men that he serves is one of simple rituals and aestheticism, and that is all that is left for him to live for. But now, without a functioning Urbana, their society starts to fall apart. Only a few characters, like Eric and Kal, can hold together. The rule was: People who “fail” there get sent to the countryside to prove they can make it in family life or become grays. Now Eric’s time as a “chosen one” will end soon and he would have to go to the country and prove himself. Now, he is valued by other Chosen Ones since he had survived the cataclysm without ill effects. But Eric has been working on his escape to go back to Earth, although there is no way he could make it without aging. He undergoes a “tribunal” and partially survives it (even he could become a Gray otherwise), but escapes anyway.
Bill and Mali reconcile themselves to building a new home life for Paul, and maybe they can start over in this simpler planet.
Eric might have been a younger friend of Matthiias, saw him go up. Maybe a son of Erin.
Eric might stop on Titan before journey to other planet.
Pre – Eric helps Bill (virus infection danger to others – stake) on computer
Situation – Eric predicts, sees spacecraft land, will go blind himself (grays, blind) (stake – grow to body concern) unless he meets Kal. Kal recounts some history of Bill (music)
Opportunity – Mormon-like space travel with Kal, separated from Bill and Tove to planet. Kal promises Bill that Eric will be cured of diabetes if left alone
Sent to training in Grand Rapids (to be the elite man – stake), Bill sent to farm Eric must qualify for the upper class and be cured of diabetes, Bill has to prove family solidarity
Recognition – Tove has baby, stillborn because Bill didn’t love her enough. Bill in “dark session” (ability to adapt – stake) where his male buddy rejects him, but Bill takes new girl friend and travels to Grand Rapids to be with Eric, who has grown in glory. Eric learns that Kal has been “threatened”
They travel to Urbana and see Kal get kicked out (bald in legs)
Bill and Mali have a kid and have gotten socialized in the “capitalist” section with Bill’s music (stake)
Crisis – Eric must go to country to prove self—because he doesn’t want the ritual.
It’s better to go back to earth – but he has to have tribunal anyway. He can raise Bill’s kid on Earth as Bill dies.
Mathematics is the one subject that cannot change from one planet to the next (except for spherical geometry, a little).
©Copyright 2003/2005 by Bill Boushka
(Published Saturday, July 5, 2014 at 11 PM EDT)