Today I make three video tapes demonstrating how the “melodic lines” of the Coda of my Third Sonata should be analyzed, in comparison to stanzas that make up a verse of a church hymn.
The music migrates from F#-Major to C ( a triton) and there are 5 stanzas of uneven length,
The toccata counter theme breaks into 4 stanza
Also, as a “treat” (or “dessert”, as piano teacher used to say about memory exercises), here is just a little country-western (8 seconds) from Freddie’s Beach Bar in Arlington after an AGLA dinner tonight.
(Posted: Sunday, July 30, 2017 at 10:30 PM EDT)
Milo Yiannopoulos should note the characteristics of people on the T-shirt of the artist below