More background on the connections between my novel manuscripts

I do expect to get back to more detailed editing of the novel “Angel’s Brother” within the next week.

But I wanted to make some more notes about the connection between this novel document, which continues from some notes on July 3, 2014.

First, let me give some history.  To the best of my knowledge, “Novel 2”, or “Tribunal and Rapture”, as started first, in the summer of 1999, after I had been to Europe and my mother was more or less recovered from bypass surgery.  (I did not go back from Minnesota but for about a week, but the whole situation then was stressful.)   I believe a draft with most of it was finished by early 2000, all while I was living in the Churchill in downtown Minneapolis. As I note, the story is largely told through the viewpoint of someone other than myself, a retired Muslim-American FBI agent, with considerable military experience, and with a largely secular, modern life (Dubai-like), including a UFO abduction.  He has no conflicts over scriptural religion and modern individualsm, and tends to believe that all three major Abrahamic faiths have more in common than their differences.  I met Muslims like this in the 1980s and 90s during my career and never gave any thought to terrorism.  The book is apocalyptic, ending with the “evacuation of the angels” to a colony on Titan, a moon of Saturn.

I apparently started the “Novel 1” (“Rain on the Snow”) in the summer of 2000, after a vacation and then a minor crisis at work.  The first part, which presents “Bill” getting invited to a “re-education” Academy (in west Texas) to get to join a doomsday prepper squad (the whole “There is no ‘they’” thing), his getting involved with a mysterious youth Matt who comes across as a Clark Kent, and his being jailed after effectively being framed for Matt’s “death”, ending with his escape with the help of his other minions, and climatic ritual at the end of the book, preparing him for a new world.

When I went to Europe at the end of April 2001, I thought about the idea of deploying the novels.  I remember an afternoon in a hotel in Toulouse, France, having a debate with myself, and thinking about “Rain on the Snow” as the logical choice because the events happened first.

Well, not exactly.  I had written a lot of backstory passages for “Tribunal and Rapture”, which also explained some of the setup of “Rain on the Snow”.  I remember a weekend in July 2001 (about two months before 9/11) when I drove from Minneapolis to the Northwest Angle, and gave a lot of thought to the sequel, “composed first”.  I remember “Frankie and the Path Pit”.  (Frankie is one of Bill’s old boyfriends, who becomes a kind or archangel at the Academy.)  I began to think that this background material needed to be put into “Rain on the Snow”.

So between late 2003 (after I returned to Virginia, because of Mother) and 2005 (in the heart of my substitute teaching) I fashioned a new structure for “Rain on the Snow”, as a kind of Opus 111   The original story center at the Academy and then jail – itself a two-act structure, turned into the “Theme and Variations”, and the entire backstory became the Sonata form, the first movement.   But many of the individual passages and summaries had been proposed as passages in the early chapters of TR (like the “Nighthike” scene at the very end became an erotic backstory insert into Chapter 8, when A;I reads the story of Bill’s escape.)   In TR, I had also played with the idea of lumping much of the backstory material into one prologue (as Clive Cussler and Irving Wallace would do).   I called these passages the “Lumps”.

Finally, I made an Access Database of the enhanced “Tribunal and Rapture” but I applied the stages of screenplay analysis  (Hague, see Feb. 3, 2016), to each of four major characters (most of all Bill) separately.  Later I’ll figure out how to get this analysis into WordPress.

The character Ali has been taking training in remote viewing in a manor in Virginia that is probably modeled after the Monroe Institute.  Some of the materials he views are essentially “The Book of Bill” (rather like “The Book of Eli” (2010)), and some have been stored on optical (EMP-proof) CD’s.

But in “Angel’s Brother”, a major element of the setup is Bill’s duopoly of novels.  The plot builds up to another Nighthike-Initiation-Immolation scene before the “real” Armageddon and evacuation of Earth by the chosen.  But CIA agent Randy has to figure out whether what is in “The Book of Bill” is really fact or fiction (like the 1998 indie sci-fi film “The Last Broadcast” about the Jersey Devil).

In “Tribunal and Rapture” (Novel 2), the protagonist, Ali Mogul, is depicted as mixed-race (about the same as president Obama, perhaps).  So the story is told through the eyes of a minority person (who includes his son, Amos, who gets in trouble with the law with computer hacking, at at time when hacking was just getting started). But in “Angel’s Brother” I move back (that is, regress, from the viewpoint of social and political correctness) to making the primary character subjects white males, both attractive, one gay and one “straight” (sort of), one college age and one entering middle age, in the late summer of life. That makes erotic tension buildup through the first two thirds of the novel possible.   (I’ll have to do a Hauge analysis soon. )  I was drawn back to this viewpoint by my interest in shows like “Smallville”, “Everwood”, etc.  with “attractive” late teen or young adult male character leads.

One can imagine a movie franchise based on all three novels, each of which encapsulates its prequel.  Perhaps the sequence would be called “Tribunals”.  Maybe it could be a Sci-Fi cable series of about three seasons, 8-10 episodes each.  I’d be game for it but I couldn’t do all three alone right now.

At the end, it seems that there is an “evacuation” from an Earth that is going to see its way of life challenged.  (That’s also true of “Epiphany”).  I know how this will come across to some people:  I don’t have room onboard for “losers” (as Trump would see them).

(Posted: Thursday, Jan. 5, 2017 at 11 PM EST)

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