Arthur C. Clarke’s “Childhood’s End” and (especially) “Rendezvous with Rama”

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Two particular science fiction novels by Arthur C. Clarke need to be noted on this blog.

Childhood’s End” (1953), will soon be aired as a 6-hour, 3 part series on the SyFy Channel starting Dec. 14, 2015 (link).   I read the novel in 1969, while in the Army at Ft. Eustis.  I recall the arrival of the Overllords, the leader Karellen (who was depicted as looking like an eagle but capable of looking human), and the period of peace and prosperity for Earth (as the Cold War with the Soviet Union was getting going more after Eisenhower took office).  Then a gifted star child is born, and, as I recall, his charisma spreads to other kids, who finally become a group-mind, leading to a ritualistic apocalypse on the final page.

I did watch the series and reviewed it here.

Rendezvous with Rama” (1972) is relevant to my own “Do Ask,, Do Tell: Epiphany” screenwriting project.  There has long been a film project involving Morgan Freeman which Wikipedia describes as being in “development hell”.  It would be possible to imagine crowdfunding, given the popularity of the novel.

The story starts in 2077, when an asteroid hit causes huge casualties and damage on Earth, coming close to permanent extinction.  60 years later, in 2037, Earth has set up better early warning systems, and sends out a space party to examine the approaching craft, which turns out to be a 50-km-long cylinder, rotating to create artificial gravity on the inside surface, and with interesting landscapes and cities inside, divided into two “hemi-cylinders” by a “cylindrical sea”.

There is a scene where an astronaut jumps off a cliff in this world.  My understanding is that artificial gravity requires contact with the inner surface to work, so that the actual surface presses on you and creates “weight” from your mass;  there is no “field” to pull on you without contact (that requires mass, which “Star Trek” gets around with super dense (like neutron-star material) gravity plates underneath).


In my own screenplay, there is a an alien “angels'” space station on Titan, which has 1/7 Earth’s gravity, so the “ashram” (with the “abductees”, so to speak) is built on the inside of a Rama cylinder that sits perpendicular to the surface.  (Of, if NASA has seen it, they just won’t tell us!) But the pull of Titan would still distort the sense of gravity, producing a sense of tilting, and could pull a person (at a velocity of the square root of 1/7 Earth’s) toward a “wall” if he jumped off the group, so people would need magnetic shoes until they got used to the environment.  I’ve wondered how you could really jog inside a rotating space station depending on centrifugal effects for gravity.

(Published: Friday, Dec. 4, 2015, at 1:30 PM EST)

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