“Alien Interview”, rogue video of 1989 (and 1957) interviews with captured “aliens” leaves questions open


I came across a rogue YouTube video, slightly over an hour, called “Alien Interview” (or “The Is a Real Interview with an Actual Gray Alien“),  published in 2013, apparently directed by Art Bell. The film sounds like it has NatGeo footage.


For most of the film, someone whose face is blacked out named “Victor” describes an interview somewhere at Area 51 with a captured alien in 1989.  There is reference to an earlier such interview around 1957, some years after the Roswell incident in 1947.

Victor seems to believe that the beings view the body as a temporary repository for consciousness that lives forever, maybe in other dimensions (like “angels” or “devils”).

Giving some credibility to the claim is the apparent incident in 1989 where South Africa reportedly intercepted a crashed saucer and shipped specimens to both Wright Patterson in Ohio and to Area 51.

The alien shown in the film seems to be the elongated head-only shot of what could be a puppet.  The 1957 alien body in black-and-white is full and comports to the popular idea of a “gray”.

There are well-know versions of the Roswell “Alien Autopsy” also.

It’s well to mention a few of the more important commercial films on the subject  These include “Roswell” (1994)by Arthur Kopit, and “The UFO Incident” (1975), by Richard A. Colla, about Betty and Barney Hill, “Fire in the Sky” (1993), by Robert Lieberman, about the Travis Walton abduction in Arizona in 1975 based on Walton’s book, and “Communion” (1989), by Phillippe Mora, with Christopher Walken playing author Whitley Strieber.

In May 2000, I drove along the Extraterrestrial Highway, state route 375, heading west from US 93, about 100 miles due north of Las Vegas, Nevada.  I stopped at the UFO shop (“Little A’len’in”) in Rachel, Nevada. I didn’t really see anything “suspicious”.

My own perception is that the depiction of aliens as “grays” is a bit trite.  The idea that an alien could look and act and perform as one of us (like the teenager Clark Kent in “Smallville”) is a lot more challenging.


Little A’Le’Inn Rachel NV 2” by Cooper, in Wiki Commons known as Cooper.ch 18:45, 7 August 2006 (UTC) – scanned from own paper print. Licensed under CC BY-SA 2.5 via Commons.

One of the casinos in Las Vegas does have a small Area 51 exhibit.


Wikipedia attribution link for image (owned by X51) of  “No photography” sign on border of Area 51, under Creative Commons 3.0 share alike license.

(Published Friday Oct. 23, 2015 at 3:45 PM EDT.)


“Full Metal Jacket” (1987) somewhat captures the world of Vietnam-era mandatory military service


There have not been many films that really present the Vietnam era military draft, with the controversial student deferment system (and subsequent lottery), but one that comes somewhat close is Stanley Kubrick’s “Full Metal Jacket“, from Warner Brothers. As I recall, I saw this film at Northpark in Dallas shortly after release. The large film is based on Gustav Hasford’s novel “The Short-Timers” (1979).

The plot is in two parts.  The first section deals with basic training in the Marine Corps in 1967.  (It was possible to be drafted into the Marines at times, but not on the day in February 1968 when I was inducted.) There are three main characters:  The misfit Pyle (Vincent D’Onofrio),  Joker (Michale Moldine), and Sgt. Hartmen (R. Lee Emrey), and some others such as Cowboy (Arliss Howard), Sgt. “Animal Mother” (Adam Baldwin) and Eightball (Dorian Harewood).

Pyle’s problems would have put him in Special Training Company in the environment I experienced at Fort Jackson in 1968, but they come to a head at the end of part 1 when he commits suicide (after shooting Hartmann).

Joker gets journalism as an MOS, and that does sound like an odd idea for a military occupational specialty — given today’s ideas about journalistic objectivity. Most of the other grunts get infantry (as had Pyle).  The second half of the film happens in Vietnam and covers the Tet Offensive, which had been launched Jan. 30, 1968, just before I went into the Army myself.

(Published Sunday, Oct. 18, 2015, 2:30 PM EDT)